Jan van Goyen [2]

Nationality : Dutch, 1596-1656

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  • Title : River Landscape with a Windmill and a Ruined Castle
  • Info : canvas painting 39369-River Landscape with a Windmill and a Ruined Castle.jpg

Oil Painting ID: 39369


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  • Title : River Scene
  • Info : canvas painting 39370-River Scene.jpg

Oil Painting ID: 39370


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  • Title : Seashore at Scheveningen
  • Info : canvas painting 39371-Seashore at Scheveningen.jpg

Oil Painting ID: 39371


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  • Title : View of Dordrecht from the Oude Maas
  • Info : canvas painting 39372-View of Dordrecht from the Oude Maas.jpg

Oil Painting ID: 39372


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  • Title : View of Dordrecht
  • Info : canvas painting 39373-View of Dordrecht.jpg

Oil Painting ID: 39373


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  • Title : View of Leiden
  • Info : canvas painting 39374-View of Leiden.jpg

Oil Painting ID: 39374


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  • Title : View of Leiden
  • Info : canvas painting 39375-View of Leiden.jpg

Oil Painting ID: 39375


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  • Title : View of The Hague in Winter
  • Info : canvas painting 39376-View of The Hague in Winter.jpg

Oil Painting ID: 39376


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  • Title : View of the Merwede before Dordrecht
  • Info : canvas painting 39377-View of the Merwede before Dordrecht.jpg

Oil Painting ID: 39377


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  • Title : Village at the River
  • Info : canvas painting 39378-Village at the River.jpg

Oil Painting ID: 39378


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Goyen, Jan van
Jan Josephszoon van Goyen (13 January 1596, Leiden - 27 April 1656, The Hague) was a Dutch landscape painter. Van Goyen was an extremely prolific artist; approximately twelve hundred paintings and more than one thousand drawings by him are known. Jan van Goyen was the son of a shoemaker and started as an apprentice in Leiden. Like many Dutch painters of his time, Jan van Goyen studied art in the town of Haarlem with Esaias van de Velde. At age 35, he established a permanent studio at Den Haag (The Hague). Crenshaw tells (and mentions the sources) that Van Goyen's landscape paintings rarely fetched high prices, but he made up for the modest value of individual pieces by increasing his production, painting thinly and quickly with a limited palette of inexpensive pigments. Despite his market innovations, he always sought more income, not only through related work as an art dealer and auctioneer but also by speculating in tulips and real estate. Although the latter was usually a safe avenue of investing money, in Van Goyen's experience it led to enormous debts. Paulus Potter rented one of his houses. Nicolaes van Berchem became his pupil. In 1652 and 1654 he was forced to sell his collection of paintings and graphic art, and he subsequently moved to a smaller house. He died in 1656, still unbelievably 18,000 guilders in debt, forcing his widow to sell their remaining furniture and paintings. Van Goyen's troubles also may have affected the early business prospects of his student and son-in-law Jan Steen, who left The Hague in 1654.

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