Felix Vallotton [6]

Nationality : Swiss painter, 1865-1925

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  • Title : Still Life with Large Earthenware Jug
  • Info : canvas painting, 48932-Felix Vallotton-Still Life with Large Earthenware Jug.jpg

Oil Painting ID: 48932


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  • Title : Street Corner
  • Info : canvas painting, 48933-Felix Vallotton-Street Corner.jpg

Oil Painting ID: 48933


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  • Title : Street Scene
  • Info : canvas painting, 48934-Felix Vallotton-Street Scene.jpg

Oil Painting ID: 48934


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  • Title : Street Scene
  • Info : canvas painting, 48935-Felix Vallotton-Street Scene.jpg

Oil Painting ID: 48935


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  • Title : Sunset
  • Info : canvas painting, 48936-Felix Vallotton-Sunset.jpg

Oil Painting ID: 48936


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  • Title : Sunset
  • Info : canvas painting, 48937-Felix Vallotton-Sunset.jpg

Oil Painting ID: 48937


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  • Title : Sunset, Gray-Blue High Tide
  • Info : canvas painting, 48938-Felix Vallotton-Sunset, Gray-Blue High Tide.jpg

Oil Painting ID: 48938


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  • Title : Thadee Nathanson
  • Info : canvas painting, 48939-Felix Vallotton-Thadee Nathanson.jpg

Oil Painting ID: 48939


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  • Title : The Artist's Mother
  • Info : canvas painting, 48940-Felix Vallotton-The Artist's Mother.jpg

Oil Painting ID: 48940


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  • Title : The Ball
  • Info : canvas painting, 48941-Felix Vallotton-The Ball.jpg

Oil Painting ID: 48941


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Felix Vallotton
Félix Edouard Vallotton (December 28, 1865 - December 29, 1925) was a Swiss painter and printmaker associated with Les Nabis. He was an important figure in the development of the modern woodcut. He was born into a conservative middle class family in Lausanne, and there he attended Collège Cantonal, graduating with a degree in classical studies in 1882. In that year he moved to Paris to study art under Jules Joseph Lefebvre and Gustave Boulanger at the Académie Julian. He spent many hours in the Louvre, where he greatly admired the works of Holbein, Dürer and Ingres; these artists would remain exemplars for Vallotton throughout his life.[1] His earliest paintings, such as the Ingresque Portrait of Monsieur Ursenbach (1885), are firmly rooted in the academic tradition, and his self portrait of 1885 (seen at right) received an honorable mention at the Salon des artistes français in 1886.

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