Felix Vallotton [5]

Nationality : Swiss painter, 1865-1925

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  • Title : Private Conversation
  • Info : canvas painting, 48922-Felix Vallotton-Private Conversation.jpg

Oil Painting ID: 48922


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  • Title : Racamadour Landscape
  • Info : canvas painting, 48923-Felix Vallotton-Racamadour Landscape.jpg

Oil Painting ID: 48923


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  • Title : Rising Tide
  • Info : canvas painting, 48924-Felix Vallotton-Rising Tide.jpg

Oil Painting ID: 48924


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  • Title : Ruins at Souain, Sunset
  • Info : canvas painting, 48925-Felix Vallotton-Ruins at Souain, Sunset.jpg

Oil Painting ID: 48925


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  • Title : Ruins at Souain
  • Info : canvas painting, 48926-Felix Vallotton-Ruins at Souain.jpg

Oil Painting ID: 48926


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  • Title : Seated Black Woman, Front View
  • Info : canvas painting, 48927-Felix Vallotton-Seated Black Woman, Front View.jpg

Oil Painting ID: 48927


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  • Title : Self Portrait
  • Info : canvas painting, 48928-Felix Vallotton-Self Portrait.jpg

Oil Painting ID: 48928


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  • Title : Sleep
  • Info : canvas painting, 48929-Felix Vallotton-Sleep.jpg

Oil Painting ID: 48929


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  • Title : Sleeping Woman
  • Info : canvas painting, 48930-Felix Vallotton-Sleeping Woman.jpg

Oil Painting ID: 48930


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  • Title : Still Life with Blue Checkered Tablecloth
  • Info : canvas painting, 48931-Felix Vallotton-Still Life with Blue Checkered Tablecloth.jpg

Oil Painting ID: 48931


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Felix Vallotton
Félix Edouard Vallotton (December 28, 1865 - December 29, 1925) was a Swiss painter and printmaker associated with Les Nabis. He was an important figure in the development of the modern woodcut. He was born into a conservative middle class family in Lausanne, and there he attended Collège Cantonal, graduating with a degree in classical studies in 1882. In that year he moved to Paris to study art under Jules Joseph Lefebvre and Gustave Boulanger at the Académie Julian. He spent many hours in the Louvre, where he greatly admired the works of Holbein, Dürer and Ingres; these artists would remain exemplars for Vallotton throughout his life.[1] His earliest paintings, such as the Ingresque Portrait of Monsieur Ursenbach (1885), are firmly rooted in the academic tradition, and his self portrait of 1885 (seen at right) received an honorable mention at the Salon des artistes français in 1886.

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