Felix Vallotton [1]

Nationality : Swiss painter, 1865-1925

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  • Title : Paul Vallotton the Artist-s Brother
  • Info : picture ID 35030-Paul_Vallotton_the_Artist-s_Brother.jpg

Oil Painting ID: 35030


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  • Title : Portrait of Mr Hasen
  • Info : picture ID 35031-Portrait_of_Mr_Hasen.jpg

Oil Painting ID: 35031


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  • Title : Portrait of the Artist-s Brother with Hat
  • Info : picture ID 35032-Portrait_of_the_Artist-s_Brother_with_Hat.jpg

Oil Painting ID: 35032


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  • Title : Self Portrait
  • Info : picture ID 35033-Self_Portrait.jpg

Oil Painting ID: 35033


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  • Title : Self Portrait
  • Info : picture ID 35034-Self_Portrait.jpg

Oil Painting ID: 35034


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  • Title : Still Life with Red Peppers on a White Lacquered Table
  • Info : picture ID 35035-Still Life with Red Peppers on a White Lacquered Table.jpg

Oil Painting ID: 35035


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  • Title : Still Life with Gladioli
  • Info : picture ID 35036-Still_Life_with_Gladioli.jpg

Oil Painting ID: 35036


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  • Title : The Artist's Parents
  • Info : picture ID 35037-The_Artist's_Parents.jpg

Oil Painting ID: 35037


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  • Title : The Sick Girl
  • Info : picture ID 35038-The_Sick_Girl.jpg

Oil Painting ID: 35038


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  • Title : At the Cafe, The Provincial
  • Info : canvas painting, 48891-Felix Vallotton-At the Cafe, The Provincial.jpg

Oil Painting ID: 48891


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Felix Vallotton
Félix Edouard Vallotton (December 28, 1865 - December 29, 1925) was a Swiss painter and printmaker associated with Les Nabis. He was an important figure in the development of the modern woodcut. He was born into a conservative middle class family in Lausanne, and there he attended Collège Cantonal, graduating with a degree in classical studies in 1882. In that year he moved to Paris to study art under Jules Joseph Lefebvre and Gustave Boulanger at the Académie Julian. He spent many hours in the Louvre, where he greatly admired the works of Holbein, Dürer and Ingres; these artists would remain exemplars for Vallotton throughout his life.[1] His earliest paintings, such as the Ingresque Portrait of Monsieur Ursenbach (1885), are firmly rooted in the academic tradition, and his self portrait of 1885 (seen at right) received an honorable mention at the Salon des artistes français in 1886.

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