Hans Makart [2]

Nationality : Austrian Academic Painter, 1840-1884

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  • Title : der sieg des lichts uber die finsternis
  • Info : oil on canvas 39949-der_sieg_des_lichts_uber_die_finsternis.jpg

Oil Painting ID: 39949


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  • Title : der triumph der ariadne
  • Info : oil on canvas 39950-der_triumph_der_ariadne.jpg

Oil Painting ID: 39950


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  • Title : die ernte
  • Info : oil on canvas 39951-die_ernte.jpg

Oil Painting ID: 39951


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  • Title : die falknerin
  • Info : oil on canvas 39952-die_falknerin.jpg

Oil Painting ID: 39952


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  • Title : die funf sinne gefuhl
  • Info : oil on canvas 39953-die_funf_sinne_gefuhl.jpg

Oil Painting ID: 39953


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  • Title : die funf sinne gehor
  • Info : oil on canvas 39954-die_funf_sinne_gehor.jpg

Oil Painting ID: 39954


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  • Title : die funf sinne geruch
  • Info : oil on canvas 39955-die_funf_sinne_geruch.jpg

Oil Painting ID: 39955


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  • Title : die funf sinne geschmack
  • Info : oil on canvas 39956-die_funf_sinne_geschmack.jpg

Oil Painting ID: 39956


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  • Title : die funf sinne gesicht
  • Info : oil on canvas 39957-die_funf_sinne_gesicht.jpg

Oil Painting ID: 39957


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  • Title : die jagd der diana
  • Info : oil on canvas 39958-die_jagd_der_diana.jpg

Oil Painting ID: 39958


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Hans Makart
Hans Makart (May 28, 1840 - October 3, 1884) was a 19th century Austrian academic history painter, designer, and decorator; most well known for his influence on Gustav Klimt and other Austrian artists, but in his own era considered an important artist himself and was a celebrity figure in the high culture of Vienna, attended with almost cult-liked adulation. Makart was the son of a chamberlain at the Mirabell Palace, born in the former residence of the prince-archbishops of Salzburg. Initially, he received his training in painting at the Vienna Academy between 1850 and 1851 from Johann Fischbach. While in the Academy, German art was under the rule of a classicism, which was entirely intellectual and academic-clear and precise drawing, sculpturesque modelling, and pictorial erudition were esteemed above all. Makart, who was a poor draughtsman, but who had a passionate and sensual love of color, was impatient to escape the routine of art school drawing. For his fortune, he was found by his instructors to be devoid of all talent and forced to leave the Vienna Academy. He went to Munich, and after two years of independent study attracted the attention of Karl Theodor von Piloty, under whose guidance, between 1861 and 1865 he developed his painting style. During these years, Makart also travelled to London, Paris and Rome to further his studies. The first picture he painted under Piloty, Lavoisier in Prison, though it was considered timid and conventional, attracted attention by its sense of color.

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