Hans Makart [1]

Nationality : Austrian Academic Painter, 1840-1884

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  • Title : adele grafin waldstein wartenberg
  • Info : oil on canvas 39939-adele_grafin_waldstein_wartenberg.jpg

Oil Painting ID: 39939


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  • Title : alegorie auf die lebenslust
  • Info : oil on canvas 39940-alegorie_auf_die_lebenslust.jpg

Oil Painting ID: 39940


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  • Title : amalie makart am klavier
  • Info : oil on canvas 39941-amalie_makart_am_klavier.jpg

Oil Painting ID: 39941


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  • Title : anna von waldberg
  • Info : oil on canvas 39942-anna_von_waldberg.jpg

Oil Painting ID: 39942


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  • Title : bildnis clothilde beer
  • Info : oil on canvas 39943-bildnis_clothilde_beer.jpg

Oil Painting ID: 39943


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  • Title : dame am spinett
  • Info : oil on canvas 39944-dame_am_spinett.jpg

Oil Painting ID: 39944


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  • Title : dame mit federhut in ruckenansicht
  • Info : oil on canvas 39945-dame_mit_federhut_in_ruckenansicht.jpg

Oil Painting ID: 39945


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  • Title : das schlafende schneewittchen
  • Info : oil on canvas 39946-das_schlafende_schneewittchen.jpg

Oil Painting ID: 39946


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  • Title : der einzug karls v in antwerpen
  • Info : oil on canvas 39947-der_einzug_karls_v_in_antwerpen.jpg

Oil Painting ID: 39947


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  • Title : der gartenbau
  • Info : oil on canvas 39948-der_gartenbau.jpg

Oil Painting ID: 39948


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Hans Makart
Hans Makart (May 28, 1840 - October 3, 1884) was a 19th century Austrian academic history painter, designer, and decorator; most well known for his influence on Gustav Klimt and other Austrian artists, but in his own era considered an important artist himself and was a celebrity figure in the high culture of Vienna, attended with almost cult-liked adulation. Makart was the son of a chamberlain at the Mirabell Palace, born in the former residence of the prince-archbishops of Salzburg. Initially, he received his training in painting at the Vienna Academy between 1850 and 1851 from Johann Fischbach. While in the Academy, German art was under the rule of a classicism, which was entirely intellectual and academic-clear and precise drawing, sculpturesque modelling, and pictorial erudition were esteemed above all. Makart, who was a poor draughtsman, but who had a passionate and sensual love of color, was impatient to escape the routine of art school drawing. For his fortune, he was found by his instructors to be devoid of all talent and forced to leave the Vienna Academy. He went to Munich, and after two years of independent study attracted the attention of Karl Theodor von Piloty, under whose guidance, between 1861 and 1865 he developed his painting style. During these years, Makart also travelled to London, Paris and Rome to further his studies. The first picture he painted under Piloty, Lavoisier in Prison, though it was considered timid and conventional, attracted attention by its sense of color.

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