Giovanni Boldini [8]

Nationality : Italian genre and portrait painter, 1842-1931

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  • Title : The Head of a Horse
  • Info : canvas painting 39126--Unknown.jpg

Oil Painting ID: 39126


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  • Title : Portrait of Alice Regnault
  • Info : canvas painting 39127--Unknown.jpg

Oil Painting ID: 39127


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  • Title : The Mondona Singer
  • Info : canvas painting 39128--Unknown.jpg

Oil Painting ID: 39128


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  • Title : Nude
  • Info : canvas painting 39129--Unknown.jpg

Oil Painting ID: 39129


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  • Title : The Golden Frame
  • Info : canvas painting 39130--Unknown.jpg

Oil Painting ID: 39130


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  • Title : Portrait of Alaide Banti in White Dress
  • Info : canvas painting 39131--Unknown.jpg

Oil Painting ID: 39131


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  • Title : Lady in Red
  • Info : canvas painting 39132--Unknown.jpg

Oil Painting ID: 39132


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  • Title : The Bouse of Voile
  • Info : canvas painting 39133--Unknown.jpg

Oil Painting ID: 39133


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  • Title : Portrait of Countess de Leusse
  • Info : canvas painting 39134--Unknown.jpg

Oil Painting ID: 39134


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  • Title : Walking in the Bois de Boulogne
  • Info : canvas painting 39135--Unknown.jpg

Oil Painting ID: 39135


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Giovanni Boldini
Giovanni Boldini (December 31, 1842 - July 11, 1931) was an Italian genre and portrait painter, belonging to the Parisian school. According to a 1933 article in Time magazine, he was known as the "Master of Swish" because of his flowing style of painting. Boldini was born in Ferrara, the son of a painter of religious subjects, and went to Florence in 1862 to study painting, meeting there the realist painters known as the Macchiaioli. Their influence is seen in Boldini's landscapes which show his spontaneous response to nature, although it is for his portraits that he became best known. He attained great success in London as a portraitist. From 1872 Boldini lived in Paris, where he became a friend of Edgar Degas. He also became the most fashionable portrait painter in Paris in the late 19th century, with a dashing style of painting which shows some Impressionist influence but which most closely resembles the work of his contemporaries John Singer Sargent and Paul Helleu. He was nominated commissioner of the Italian section of the Paris Exposition in 1889, and received the Légion d'honneur for this appointment. He died in Paris in 1931.

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