Giovanni Boldini [6]

Nationality : Italian genre and portrait painter, 1842-1931

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  • Title : The Red Umbrella
  • Info : canvas painting 39106-The Red Umbrella.jpg

Oil Painting ID: 39106


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  • Title : The Summer Stroll
  • Info : canvas painting 39107-The Summer Stroll.jpg

Oil Painting ID: 39107


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  • Title : The Countess Ritzer
  • Info : canvas painting 39108-The_Countess_Ritzer.jpg

Oil Painting ID: 39108


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  • Title : View of Venice
  • Info : canvas painting 39109-View of Venice.jpg

Oil Painting ID: 39109


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  • Title : Woman at a Piano
  • Info : canvas painting 39110-Woman at a Piano.jpg

Oil Painting ID: 39110


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  • Title : The Pansies
  • Info : canvas painting 39111--Unknown.jpg

Oil Painting ID: 39111


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  • Title : Pink Palace Ibis in the Vesinet
  • Info : canvas painting 39112--Unknown.jpg

Oil Painting ID: 39112


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  • Title : Wild game in Black
  • Info : canvas painting 39113--Unknown.jpg

Oil Painting ID: 39113


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  • Title : James McNeill Whistler
  • Info : canvas painting 39114--Unknown.jpg

Oil Painting ID: 39114


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  • Title : Firework
  • Info : canvas painting 39115--Unknown.jpg

Oil Painting ID: 39115


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Giovanni Boldini
Giovanni Boldini (December 31, 1842 - July 11, 1931) was an Italian genre and portrait painter, belonging to the Parisian school. According to a 1933 article in Time magazine, he was known as the "Master of Swish" because of his flowing style of painting. Boldini was born in Ferrara, the son of a painter of religious subjects, and went to Florence in 1862 to study painting, meeting there the realist painters known as the Macchiaioli. Their influence is seen in Boldini's landscapes which show his spontaneous response to nature, although it is for his portraits that he became best known. He attained great success in London as a portraitist. From 1872 Boldini lived in Paris, where he became a friend of Edgar Degas. He also became the most fashionable portrait painter in Paris in the late 19th century, with a dashing style of painting which shows some Impressionist influence but which most closely resembles the work of his contemporaries John Singer Sargent and Paul Helleu. He was nominated commissioner of the Italian section of the Paris Exposition in 1889, and received the Légion d'honneur for this appointment. He died in Paris in 1931.

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