Emile Munier [1]

Nationality : French Academic Painter, 1840-1895

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  • Title : essai de leau
  • Info : picture ID 34592-essai_de_leau.jpg

Oil Painting ID: 34592


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  • Title : the peacock fan
  • Info : picture ID 34593-the_peacock_fan.jpg

Oil Painting ID: 34593


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  • Title : may i have one too
  • Info : picture ID 34594-may_i_have_one_too.jpg

Oil Painting ID: 34594


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  • Title : her best friend
  • Info : picture ID 34595-her_best_friend.jpg

Oil Painting ID: 34595


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  • Title : portrait of a mother and daughter
  • Info : picture ID 34596-portrait_of_a_mother_and_daughter.jpg

Oil Painting ID: 34596


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  • Title : love disarmed
  • Info : picture ID 34597-love_disarmed.jpg

Oil Painting ID: 34597


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  • Title : autrefois
  • Info : picture ID 34598-autrefois.jpg

Oil Painting ID: 34598


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  • Title : pardon mama
  • Info : picture ID 34599-pardon_mama.jpg

Oil Painting ID: 34599


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  • Title : young girl with goat and flowers
  • Info : picture ID 34600-young_girl_with_goat_and_flowers.jpg

Oil Painting ID: 34600


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  • Title : les confitures
  • Info : picture ID 34601-les_confitures.jpg

Oil Painting ID: 34601


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Emile Munier
Emile Munier (June 2, 1840 – June 29, 1895) was a French academic artist and student of William-Adolphe Bouguereau. Emile Munier was born in Paris and lived with his family at 66 rue des Fossés, St. Marcel. His father, Pierre François Munier, was an artist upholsterer at the Manufacture Nationale des Gobelins and his mother, Marie Louise Carpentier, was a polisher in a cashmere cloth mill. Emile and his two brothers, François and Florimond, were gifted artists and each spent some time at the Gobelins. During Emile's training he developed a close relationship with his professor Abel Lucas and his family. He eventually married Abel's daughter Henriette. During the 1860s, Munier received three medals at the Beaux-Arts and in 1869 he exhibited at the Paris Salon. He became a great supporter of the Academic ideals and a follower of Bouguereau, whose subject matter would be an important inspiration to the young Munier. In 1867, Henriette gave birth to a son, Emile Henri. Six weeks after the birth, having contracted severe rheumatism, Henriette died prematurely. In 1871, Munier abandoned his career as an upholsterer and devoted his time solely to painting; he also began teaching classes to adults three nights a week. Sargine Augrand, a student of Abel Lucas and a close friend of Emile and Henriette (before she died), caught Emile’s eye; they married in 1872 and lived in a small apartment and studio. Munier frequented the studio of Bouguereau, and they became friends. In 1885 he painted, and exhibited at the Paris Salon, Trois Amis (Favourite Pets). This painting, representing a chubby girl playing on her bed with a kitten and a dog, was an extremely successful work, being reproduced in many forms and used for publicity posters by Pears Soap. With this work, Emile asserted himself as one of ‘the’ painters of young children and their pets; it was eventually acquired by an American collector. Among his many American patrons were Chapman H. Hyams and his wife, who were important collectors of contemporary French paintings during the 19th century and favored artists like Henner, Bouguereau, Gérôme, Vinel and Schreyer. Munier painted their portrait in 1889, and it, along with much of their collection, is now in the New Orleans Museum of Art. During the 1890s Munier continued to paint peasant, mythological and religious subjects. In 1893 he exhibited L'esprit de la chute d'eau, at the Paris Salon, a nude nymph whom is not unlike Naissance de Vénus by Bouguereau. In 1895 Munier painted La jeune fille et le panier de chatons, but on June 29, a few weeks after his 55th birthday, he died.

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