Diego Rodriguez de Silva Velazquez [6]

Nationality : Spain, 1599 - 1660

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  • Title : St. Anthony Abbot and St. Paul the Hermit
  • Info : c.1635 - 1638 Oil on canvas Museo del Prado, Madrid, Spain

Oil Painting ID: 30230


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  • Title : The Sculptor Martinez Montanss
  • Info : c.1635 - 1636 Oil on canvas Museo del Prado, Madrid, Spain

Oil Painting ID: 30231


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  • Title : The Surrender of Breda
  • Info : 1635 Oil on canvas 120 3/4 x 145 5/8 inches (307 x 370 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30232


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  • Title : King Philip IV as a Huntsman
  • Info : 1634 - 1635 Oil on canvas 75 1/8 x 49 1/2 inches (191 x 126 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30233


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  • Title : Philip IV on Horseback
  • Info : 1634 - 1635 Oil on canvas Museo del Prado, Madrid, Spain

Oil Painting ID: 30234


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  • Title : The Count-Duke of Olivares on Horseback
  • Info : 1634 Oil on canvas 123 1/8 x 94 inches (313 x 239 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30235


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  • Title : The White Horse
  • Info : c.1634 - 1635 Oil on canvas Palazzo Real, Madrid, Spain

Oil Painting ID: 30236


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  • Title : Christ on the Cross
  • Info : 1632 Oil on canvas 97 5/8 x 66 1/2 inches (248 x 169 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30237


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  • Title : Don Juan Mateos
  • Info : c.1632 Oil on canvas Staatliche Kunstsammlungen, Dresden, Germany

Oil Painting ID: 30238


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  • Title : Philip IV as a Hunter
  • Info : c.1632 - 1633 Oil on canvas Museo del Prado, Madrid, Spain

Oil Painting ID: 30239


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Velazquez, Diego Rodriguez de Silva
Diego Rodriguez de Silva y Velauez was a Spanish painter who is considered to have been the country's greatest baroque artist. He, with Francisco de Goya and El Greco, forms the great triumvirate of Spanish painting. Velauez was born in Seville on June 6, 1599, the oldest of six children; both his parents were from the minor nobility. Between 1611 and 1617 the young Velauez worked as an apprentice to Francisco Pacheco, a Sevillian Mannerist painter who was also the author of an important treatise, El arte de la pintura (The Art of Painting, 1649), and who became Velauez's father-in-law. During his student years Velauez absorbed the most popular contemporaneous styles of painting, derived, in part, from both Flemish and Italian realism.

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