Diego Rodriguez de Silva Velazquez [2]

Nationality : Spain, 1599 - 1660

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  • Title : Portrait of Philip IV
  • Info : 1652 - 1653 Oil on canvas 18 1/2 x 14 3/4 inches (47 x 37.5 cm) Kunsthistorisches Museum, Vienna, Austria

Oil Painting ID: 30190


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  • Title : Queen Dona Mariana of Austria
  • Info : 1652 - 1653 Oil on canvas 90 7/8 x 51 1/2 inches (231 x 131 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30191


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  • Title : Camillo Massimi
  • Info : 1650 Oil on canvas Kingston Lacy House, England

Oil Painting ID: 30192


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  • Title : Cardinal Camillo Astalli
  • Info : 1650 - 1651 Oil on canvas Hispanic Society of America, USA

Oil Painting ID: 30193


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  • Title : Juan de Pareja
  • Info : 1650 Oil on canvas 32 x 27 1/2 inches (81.3 x 69.9 cm) Metropolitan Museum of Art, Manhattan, New York, USA

Oil Painting ID: 30194


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  • Title : Miguel Angelo, Barber to the Pope
  • Info : 1650 Oil on canvas Public collection

Oil Painting ID: 30195


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  • Title : Portrait of Innocent X
  • Info : c.1650 Oil on canvas 55 1/2 x 46 3/4 inches (141 x 119 cm) Galleria Doria-Pamphili, Rome, Italy

Oil Painting ID: 30196


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  • Title : Portrait of a Man
  • Info : c.1649 Oil on canvas 29 7/8 x 25 3/8 inches (76 x 64.5 cm) Wellington Museum, London, England

Oil Painting ID: 30197


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  • Title : View of Zaragoza
  • Info : 1647 Oil on canvas 71 1/4 x 130 1/4 inches (181 x 331 cm) Museo del Prado, Madrid, Spain

Oil Painting ID: 30198


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  • Title : A Dwarf Holding a Tome in His Lap
  • Info : Alternative title: Don Diego de Acedo, el Primo. c.1645 Oil on canvas Museo del Prado, Madrid, Spain

Oil Painting ID: 30199


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Velazquez, Diego Rodriguez de Silva
Diego Rodriguez de Silva y Velauez was a Spanish painter who is considered to have been the country's greatest baroque artist. He, with Francisco de Goya and El Greco, forms the great triumvirate of Spanish painting. Velauez was born in Seville on June 6, 1599, the oldest of six children; both his parents were from the minor nobility. Between 1611 and 1617 the young Velauez worked as an apprentice to Francisco Pacheco, a Sevillian Mannerist painter who was also the author of an important treatise, El arte de la pintura (The Art of Painting, 1649), and who became Velauez's father-in-law. During his student years Velauez absorbed the most popular contemporaneous styles of painting, derived, in part, from both Flemish and Italian realism.

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