Luca Signorelli [1]

Nationality : Italy, 1450 - 1523

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  • Title : The Trinity, the Virgin and Two Saints
  • Info : 1510 Tempera on wood 107 x 70 3/4 inches (272 x 180 cm) Galleria degli Uffizi, Florence, Italy

Oil Painting ID: 29637


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  • Title : Mary Magdalene
  • Info : 1504 Panel Museo dell'Opera del Duomo, Prato, Italy

Oil Painting ID: 29638


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  • Title : Madonna and Child
  • Info : 1490 Panel 66 7/8 x 46 1/4 inches (170 x 117.5 cm) Galleria degli Uffizi, Florence, Italy

Oil Painting ID: 29639


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  • Title : Madonna and Child with St Joseph and Another Saint
  • Info : 1490 - 1492 Panel Galleria Palatina (Palazzo Pitti), Florence, Italy

Oil Painting ID: 29640


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  • Title : The Scourging of Christ
  • Info : 1480 Tempera on panel 33 x 22 3/8 inches (84 x 57 cm) Pinacoteca di Brera, Milan, Italy

Oil Painting ID: 29641


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  • Title : Madonna and Child with Saints
  • Info : Panel Public collection

Oil Painting ID: 29642


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  • Title : The Circumcision
  • Info : National Gallery at London

Oil Painting ID: 29643


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  • Title : Resurrection of the Flesh
  • Info : 1499 - 1502 Fresco Public collection

Oil Painting ID: 29644


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  • Title : The Damned
  • Info : fresco, Orvieto

Oil Painting ID: 29645


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  • Title : The Damned
  • Info : fresco, Orvieto

Oil Painting ID: 29646


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Signorelli, Luca
Signorelli, Luca, full name Luca d'Egidio di Ventura de' Signorelli , was an Italian Renaissance painter, born in Cortona. One of the great masters of the Umbrian school, he was associated with the Tuscan painter Piero della Francesca, perhaps as his pupil, from whom he derived his treatment of perspective. His mastery of human anatomy was inspired by the work of the Florentine painter Antonio del Pollaiuolo. The Madonna and Child with Four Saints and an Angel (1484), a signed altarpiece for a chapel in Perugia Cathedral, reveals his developed handling of anatomy. His masterpieces are the vast frescoes of scenes in hell, purgatory, and heaven, done (1499-1504) for the chapel of San Brizio in Orvieto Cathedral. Inspired by the Divine Comedy of Dante Alighieri, they include the intensely dramatic End of the World and the Last Judgment, with violently contorted bodies. These powerful figures, with their realistic anatomical detail, influenced Michelangelo and Raphael.

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