John Singer Sargent [5]

Nationality : United States, 1856 - 1925

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  • Title : Mrs Adrian Iselin
  • Info : 1888 Oil on canvas 60 1/2 x 36 5/8 inches (153.67 x 93.03 cm) National Gallery of Art, Washington, DC, USA Gift of Ernest Iselin

Oil Painting ID: 29272


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  • Title : Atlas and the Hesperides
  • Info : 1922 - 1925 Oil on canvas Museum of Fine Arts, Boston, USA

Oil Painting ID: 29273


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  • Title : Chiron and Achilles
  • Info : 1921 Oil on canvas Public collection

Oil Painting ID: 29274


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  • Title : Hercules
  • Info : 1921 Oil on canvas Public collection

Oil Painting ID: 29275


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  • Title : Orestes Pursued by the Furies
  • Info : 1921 Oil on canvas Public collection

Oil Painting ID: 29276


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  • Title : The Simplon
  • Info : c.1919 Watercolor and pencil on paper Public collection

Oil Painting ID: 29277


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  • Title : Dugout
  • Info : 1918 Watercolor on paper 15 1/4 x 20 3/4 inches (39.05 x 53.02 cm) Metropolitan Museum of Art, Manhattan, New York, USA

Oil Painting ID: 29278


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  • Title : The Wrecked Sugar Refinery
  • Info : 1918 Watercolor on paper Imperial War Museum London, England

Oil Painting ID: 29279


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  • Title : Portrait of Daniel J. Nolan
  • Info : 1917 Oil on canvas 26 1/4 x 20 1/4 inches (66.68 x 51.44 cm) Public collection

Oil Painting ID: 29280


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  • Title : Sargent, John Singer oil painting
  • Info : Oil On Canvas

Oil Painting ID: 29281


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Sargent, John Singer
John Singer Sargent was an American painter who is known for his glamorous portraits of eminent or socially prominent people of the period. He was born in Florence, Italy, of American parents. He studied art in Italy, France, and Germany, receiving his formal art education at the ɣole des Beaux-Arts and in the Paris studio of the noted French portraitist Carolus-Duran. He spent most of his adult life in England, maintaining a studio there for more than 30 years and visiting America only on short trips. Criticized for what some believed to be a superficial brilliance, Sargent's portraits fell into disfavor after his death. Since that time, however, these same canvases have been acknowledged for their naturalism and superb technical skill. About 1907 Sargent tired of portrait painting and accepted few commissions. He then worked chiefly on European scenes in watercolor, in a notably impressionistic style. Among his more famous works are El Jaleo (1882, Gardner Museum, Boston), Madame X (1884, Metropolitan Museum, New York), The Wyndham Sisters (1900, Metropolitan Museum), and Boats at Anchor (1917, Worcester Art Museum, Worcester, Massachusetts).

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