Sir John Everett Millais [1]

Nationality : English, 1829-1896

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  • Title : Bubbles
  • Info : Not Found

Oil Painting ID: 27700


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  • Title : The Black Brunswicker
  • Info : 1860, Lady Lever Art Gallery, Port Sunlight.

Oil Painting ID: 27701


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  • Title : The Blind Girl
  • Info : 1854-56, oil on canvas, City Museum and Art Gallery at Birmingham, England

Oil Painting ID: 27702


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  • Title : Christ in the House of His Parents
  • Info : 1850, oil on canvas, Tate Gallery at London.

Oil Painting ID: 27703


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  • Title : Ophelia
  • Info : 1851-52, Tate Gallery, London.

Oil Painting ID: 27704


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  • Title : Isabella
  • Info : 1848-1849

Oil Painting ID: 27705


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  • Title : Autumn Leaves
  • Info : 1855-1856

Oil Painting ID: 27706


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  • Title : Sir Isumbras at the Ford
  • Info : 1857

Oil Painting ID: 27707


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  • Title : My First Sermon
  • Info : 1862-1963

Oil Painting ID: 27708


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  • Title : Cherry Ripe
  • Info : 1879

Oil Painting ID: 27709


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Millais, Sir John Everett
Sir John Everett Millais was an English painter born in Southampton and educated in art at the Royal Academy of Arts in London. At the age of 17 he exhibited at the academy his Pizarro Seizing the Inca of Peru (1846, Victoria and Albert Museum, London), then considered one of the best history paintings shown that year. In 1848 he and two other English painters, Dante Gabriel Rossetti and William Holman Hunt, formed a brotherhood of artists known as the Pre-Raphaelites. Millais's first Pre-Raphaelite painting, the scene Lorenzo and Isabella (1849, Walker Art Gallery, Liverpool), recalls the manner of the early Flemish and Italian masters. Beginning in the early 1870s, he created many portraits of British personalities, famous in his time. He was a careful artist who paid strict attention to detail, unusual composition, and clarity. In much of his later work he succumbed to the Victorian taste for sentiment and anecdotal art.

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