Filippino Lippi [5]

Nationality : Italy, 1457 - 1504

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  • Title : The Adoration of the Magi
  • Info : picture ID 35167-The_Adoration_of_the_Magi.jpg

Oil Painting ID: 35167


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  • Title : The adoration with the infant Baptist and St Bernard
  • Info : picture ID 35168-The adoration with the infant Baptist and St Bernard.jpg

Oil Painting ID: 35168


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  • Title : The Annunciation
  • Info : picture ID 35169-The_Annunciation.jpg

Oil Painting ID: 35169


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  • Title : The Intervention of Christ and Mary
  • Info : picture ID 35170-The_Intervention_of_Christ_and_Mary.jpg

Oil Painting ID: 35170


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  • Title : The Marriage of St Catherine
  • Info : picture ID 35171-The_Marriage_of_St_Catherine.jpg

Oil Painting ID: 35171


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  • Title : The Virgin and child with St Jerome and Dominic
  • Info : picture ID 35172-The Virgin and child with St Jerome and Dominic.jpg

Oil Painting ID: 35172


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  • Title : Tobias and the angel
  • Info : picture ID 35173-Tobias and the angel.jpg

Oil Painting ID: 35173


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  • Title : Two figures
  • Info : picture ID 35174-Two_figures.jpg

Oil Painting ID: 35174


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  • Title : Virgin and child
  • Info : picture ID 35175-Virgin_and_child.jpg

Oil Painting ID: 35175


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  • Title : Virgin from the Annunciation
  • Info : picture ID 35176-Virgin_from_the_Annunciation.jpg

Oil Painting ID: 35176


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Lippi, Filippino
Filippino Lippi (c. 1457 - April 1504) was a well-known painter working during the High Renaissance in Florence, Italy. Born Filippo Lippi in Prato (Tuscany), the illegitimate son of the painter Fra Filippo Lippi and nun Lucrezia Buti, Filippino first trained under his father. They moved to Spoleto, where Filippino served as shop adjuvant in the construction of the Cathedral there. When his father died in 1469, he completed the frescos with Storie della Vergine (Histories of the Virgin) in the cathedral. Filippino Lippi completed his apprenticeship in the workshop of Botticelli, who had been a pupil of Filippino's father. In 1472, Botticelli also took him as his companion in the Compagnia di San Luca. His first works greatly resemble those of Botticelli's, but with less sensitivity and subtlety. The very first ones (dating from 1475 onwards) were initially attributed to an anonymous "Amico di Sandro" ("Friend of Botticelli"). Eventually Lippi's style evolved into a more personal and effective one in the years 1480-1485. Works of the early period include: the Madonnas of Berlin, London and Washington, the Journeys of Tobia of the Galleria Sabauda in Turin, Italy, the Madonna of the Sea of Galleria dell'Accademia and the Histories of Ester.

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