Maurice Brazil Prendergast [3]

Nationality : United States, 1859-1924

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  • Title : Promenade
  • Info : Promenade 1914-15 oil on canvas The Detroit Institute of Arts.

Oil Painting ID: 28741


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  • Title : A Lady in Yellow in the Park
  • Info : oil on canvas, 47023-Prendergast, Maurice Brazil-A Lady in Yellow in the Park.jpg

Oil Painting ID: 47023


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  • Title : A Very Sunny Day, Treport
  • Info : oil on canvas, 47024-Prendergast, Maurice Brazil-A Very Sunny Day, Treport.jpg

Oil Painting ID: 47024


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  • Title : Acadia
  • Info : oil on canvas, 47025-Prendergast, Maurice Brazil-Acadia.jpg

Oil Painting ID: 47025


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  • Title : After the Storm
  • Info : oil on canvas, 47026-Prendergast, Maurice Brazil-After the Storm.jpg

Oil Painting ID: 47026


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  • Title : Afternoon, Pincian Hill
  • Info : oil on canvas, 47027-Prendergast, Maurice Brazil-Afternoon, Pincian Hill.jpg

Oil Painting ID: 47027


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  • Title : Along the Seine
  • Info : oil on canvas, 47028-Prendergast, Maurice Brazil-Along the Seine.jpg

Oil Painting ID: 47028


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  • Title : April Snow, Salem
  • Info : oil on canvas, 47029-Prendergast, Maurice Brazil-April Snow, Salem.jpg

Oil Painting ID: 47029


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  • Title : Assisi
  • Info : oil on canvas, 47030-Prendergast, Maurice Brazil-Assisi.jpg

Oil Painting ID: 47030


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  • Title : Bathers
  • Info : oil on canvas, 47031-Prendergast, Maurice Brazil-Bathers.jpg

Oil Painting ID: 47031


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Prendergast, Maurice Brazil
Maurice Brazil Prendergast (1859-1924) was an American painter, born in Boston, and trained in art as a painter of advertising placards in Boston and later in France and Italy. He returned to Boston in 1900. Prendergast was a member of The Eight, a group of artists led by Robert Henri. The group had an influential exhibition in 1908; they broke with the academic tradition that reigned at the time and proposed that painting be connected to everyday life. In 1914 he moved to New York City, where he spent the remainder of his life. His work is characterized by rich, powerful color applied in dots and in short brushstrokes. Many of his subjects are landscapes with figures, as for example, Central Park (1901, Whitney Museum, New York City). A number are of the seashore. Others include Boston street scenes and sketches of Neapolitan and Venetian life.

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