Maurice Brazil Prendergast [2]

Nationality : United States, 1859-1924

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  • Title : Figures Under the Flag
  • Info : Figures Under the Flag 1900-05 Watercolor and pencil on paper Williams College Museum of Art.

Oil Painting ID: 28731


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  • Title : Madison Square
  • Info : Madison Square 1901 Watercolor and pencil on paper Whitney Museum of American Art, New York.

Oil Painting ID: 28732


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  • Title : May Day, Central Park
  • Info : May Day, Central Park 1901 Watercolor and pencil on paper The Cleveland Museum of Art.

Oil Painting ID: 28733


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  • Title : The Mall, Central Park
  • Info : The Mall, Central Park 1901 Watercolor and pencil on paper The Art Institute of Chicago.

Oil Painting ID: 28734


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  • Title : St. Malo No. 2
  • Info : St. Malo No. 2 1907 Watercolor and crayon on paper Columbus Museum of Art, OH

Oil Painting ID: 28735


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  • Title : Spring Promenade
  • Info : Spring Promenade 1910-11 Watercolor and pencil on paper Williams College Museum of Art

Oil Painting ID: 28736


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  • Title : La Rouge Portrait of Miss Edith King
  • Info : La Rouge: Portrait of Miss Edith King 1910-13 oil on canvas Lehigh University Art Galleries, Bethlehem, PA.

Oil Painting ID: 28737


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  • Title : Santa Maria Formosa, Venice
  • Info : Santa Maria Formosa, Venice 1911-12 Watercolor and pencil on paper Museum of Fine Arts, Boston

Oil Painting ID: 28738


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  • Title : Figures in a Landscape
  • Info : Figures in a Landscape 1912-15 Watercolor, charcoal, pastel and pencil on paper Private Collection.

Oil Painting ID: 28739


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  • Title : Picnic
  • Info : Picnic 1914-15 Oil on canvas Carnegie Museum of Art, Pittsburgh.

Oil Painting ID: 28740


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Prendergast, Maurice Brazil
Maurice Brazil Prendergast (1859-1924) was an American painter, born in Boston, and trained in art as a painter of advertising placards in Boston and later in France and Italy. He returned to Boston in 1900. Prendergast was a member of The Eight, a group of artists led by Robert Henri. The group had an influential exhibition in 1908; they broke with the academic tradition that reigned at the time and proposed that painting be connected to everyday life. In 1914 he moved to New York City, where he spent the remainder of his life. His work is characterized by rich, powerful color applied in dots and in short brushstrokes. Many of his subjects are landscapes with figures, as for example, Central Park (1901, Whitney Museum, New York City). A number are of the seashore. Others include Boston street scenes and sketches of Neapolitan and Venetian life.

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