Maurice Brazil Prendergast [1]

Nationality : United States, 1859-1924
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  • Title : Along the Seine
  • Info : Along the Seine 1892-94 Oil on canvas Whitney Museum of American Art, New York.

Oil Painting ID: 28721


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  • Title : South Boston Pier
  • Info : South Boston Pier 1895-97 Watercolor and pencil on paper Art Institute of Chicago.

Oil Painting ID: 28722


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  • Title : Summer Visitors
  • Info : Summer Visitors 1896 Watercolor and pencil on paper Private collection.

Oil Painting ID: 28723


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  • Title : St. Marks, Venice
  • Info : St. Mark's, Venice 1898 Watercolor and pencil on paper National Gallery of Art, Washington D.C.

Oil Painting ID: 28724


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  • Title : Easter Procession
  • Info : Easter Procession, St. Mark's 1898-99 Watercolor and pencil on paper Private collection.

Oil Painting ID: 28725


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  • Title : Venetian Canal Scene
  • Info : Venetian Canal Scene 1898-99 Watercolor and pencil on paper Private Collection.

Oil Painting ID: 28726


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  • Title : Afternoon, Pincian Hill
  • Info : Afternoon, Pincian Hill 1898-99 Watercolor and pencil on paper Honolulu Academy of Arts.

Oil Painting ID: 28727


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  • Title : Splash of Sunshine and Rain
  • Info : Splash of Sunshine and Rain 1899 Watercolor and pencil on paper Private collection.

Oil Painting ID: 28728


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  • Title : West Church, Boston
  • Info : West Church, Boston 1900-01 Watercolor, pencil, and opaque white on paper Museum of Fine Arts, Boston.

Oil Painting ID: 28729


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  • Title : In Central Park, New York
  • Info : In Central Park, New York 1900-03 Watercolor and pencil on paper Addison Gallery of American Art, Andover, MA

Oil Painting ID: 28730


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Prendergast, Maurice Brazil
Maurice Brazil Prendergast (1859-1924) was an American painter, born in Boston, and trained in art as a painter of advertising placards in Boston and later in France and Italy. He returned to Boston in 1900. Prendergast was a member of The Eight, a group of artists led by Robert Henri. The group had an influential exhibition in 1908; they broke with the academic tradition that reigned at the time and proposed that painting be connected to everyday life. In 1914 he moved to New York City, where he spent the remainder of his life. His work is characterized by rich, powerful color applied in dots and in short brushstrokes. Many of his subjects are landscapes with figures, as for example, Central Park (1901, Whitney Museum, New York City). A number are of the seashore. Others include Boston street scenes and sketches of Neapolitan and Venetian life.
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