Le Nain Brothers [1]

Nationality : French

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  • Title : The Adoration of the Shepherds
  • Info : The Adoration of the Shepherds, 1630-32 Oil on canvas Musée du Louvre, Paris.

Oil Painting ID: 28467


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  • Title : Four Figures at a Table
  • Info : Four Figures at a Table 1630-39 Oil on canvas National Gallery, London.

Oil Painting ID: 28468


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  • Title : The Pilgrims at Emmaus
  • Info : The Pilgrims at Emmaus Oil on canvas Musée du Louvre, Paris.

Oil Painting ID: 28469


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  • Title : Landscape with Peasants
  • Info : Landscape with Peasants 1640 Oil on canvas National Gallery of Art, Washington D.C.

Oil Painting ID: 28470


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  • Title : The Milkmaid s Family
  • Info : The Milkmaid's Family 1640s Oil on canvas The Hermitage, St. Petersburg.

Oil Painting ID: 28471


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  • Title : Peasants in a Tavern
  • Info : Peasants in a Tavern 1640s Oil on canvas The Hermitage, St. Petersburg

Oil Painting ID: 28472


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  • Title : A Visit to Grandmother
  • Info : A Visit to Grandmother 1640s Oil on canvas The Hermitage, St. Petersburg

Oil Painting ID: 28473


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  • Title : Peasants in a Landscape
  • Info : Peasants in a Landscape 1640-45 Oil on canvas Wadsworth Atheneum, Hartford, CT.

Oil Painting ID: 28474


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  • Title : The Return from Haymaking
  • Info : The Return from Haymaking 1641 Oil on canvas Musée du Louvre, Paris

Oil Painting ID: 28475


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  • Title : Peasant Family in an Interior
  • Info : Peasant Family in an Interior Oil on canvas Musée du Louvre, Paris

Oil Painting ID: 28476


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Nain Brothers, Le
Antoine: approx. 1588, Laon, Fr. died May 25, 1648, Paris Louis: approx. 1593, Laon died May 23, 1648, Mathieu: Paris; b. 1607, April 20, 1677, Paris Three brothers whose paintings of peasant life have a realism unique in 17th-century French art. By 1630 they had established a common workshop in Paris. They remained unmarried and are traditionally said to have worked in harmony, often collaborating on the same picture. In 1648 all were received into the newly founded French Academy. Evaluation of the three personalities early in the 20th century was therefore based on what was traditionally known of each brother and on the dubious establishment of three stylistic groups. Art scholars today no longer try to attribute individual works, and the three brothers are treatedas a single artist. Their portraits of peasants and beggars remain their most important works. Their domestic scenes of peasant life depict humble people with human dignity, with a classical composure that is characteristically French. Mathieu became an official painter to the city of Paris (1633) and was made a chevalier. He excelled in large compositions and in portraiture. His career was prosperous, and, from the large number of portraits and religious works produced in his studio, he must have had several assistants.

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